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New York Premieres: Gustav Mahler Two New Films by Jason Starr - Meet Me At The Opera

november, 2019

08nov7:30 pm10:30 pmNew York Premieres: Gustav Mahler Two New Films by Jason StarrNew York NYIT Auditorium on Broadway, at 1871 Broadway (at 62nd Street)

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Event Details

Event  New York Premiere : Two New Gustav Mahler films by movie director Jason Starr.

“On Mahler’s Songs of a Wayfarer”

“Mahler’s Titan: The Romance, Death and Triumph of a Young Musician”

When  November 8th  7:30pm

Where  New York NYIT Auditorium on Broadway, at 1871 Broadway (at 62nd Street)

What to expect:  Film screening. Q & A with the filmmaker and reception to follow.

Tickets   $10

http://bit.ly/MahlerFilms 

Tickets must be purchased in advance; no tickets will be sold at the door.

New York Premieres: Gustav Mahler Two New Films by Jason Starr

Opening Scene: “Mahler’s Titan – The Romance, Death and Triumph of a Young Musician”

New York Premieres: Gustav Mahler Two New Films by Jason Starr

Film Trailer: “On Mahler’s Songs of a Wayfarer”

 

New York Premieres: Gustav Mahler Two New Films by Jason Starr

Gustav Mahler Society of New York presents the New York premieres of renowned filmmaker Jason Starr’s two new films: On Mahler’s Songs of a Wayfarer, and Mahler’s Titan: The Romance, Death and Triumph of a Young Musician.  Program begins at 7:30pm at the NYIT Auditorium on Broadway, at 1871 Broadway (at 62nd Street). Q&A with the filmmaker and reception to follow.

New York Premieres: Gustav Mahler Two New Films by Jason Starr

About Gustav Mahler

Middle-aged man, seated, facing towards the left but head turned towards the right. He has a high forehead, rimless glasses and is wearing a dark, crumpled suit

Gustav Mahler, photographed in 1907 at the end of his period as director of the Vienna Hofoper

Mahler-signature.svg

Gustav Mahler (German: [ˈmaːlɐ]; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romanticcomposer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. In 2016, a BBC Music Magazinesurvey of 151 conductors ranked three of his symphonies in the top ten symphonies of all time.[1]

Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner,Mozart, and Tchaikovsky. Late in his life he was briefly director of New York’s Metropolitan Opera and the New York Philharmonic.

Mahler’s œuvre is relatively limited; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler’s works are generally designed for large orchestral forces, symphonic choruses and operatic soloists. These works were frequently controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Second Symphony,Third Symphony, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler’s immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Dmitri Shostakovichand Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955 to honour the composer’s life and achievements.

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Nadia Kovarskaya

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Meet Me At The Opera

G. Mahler: Symphony n. 1 “Titan” – Lorin Maazel – Sinfónica de Galicia

Mahler: Symphony No. 1 “Titan” – Claudio Abbado – Chicago Symphony Orchestra

Time

(Friday) 7:30 pm - 10:30 pm

Location

New York NYIT Auditorium on Broadway

1871 Broadway

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