FREE Stream Les Misérables the Musical – The 10th Anniversary Dream Cast in Concert at London’s Royal Albert Hall.

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Les Misérables the Musical – The 10th Anniversary Dream Cast in Concert at London’s Royal Albert Hall in one video, in highest quality audio and video possible.

This production deserves a high quality version on Youtube for everyone to enjoy, and in one complete video. (Apologies if any ads appear, I dont monetize vids but in order to share I have to allow them.)

A favorite book by Victor Hugo, and beautiful musical by Schönberg, Boublil and Natel. This particular version of the musical is breathtaking. The Story is about the struggle for “Liberty, Equality, and Fraternity” after the French Revolution. Read the book for a better understanding.

Cast includes Colm Wilkinson as Jean Valjean, Philip Quast as Inspector Javert, Michael Ball as Marius Pontmercy, Lea Salonga as Éponine, Judy Kuhn as Cosette, Ruthie Henshall as Fantine, Michael Maguire as Enjolras, Alun Armstrong as Thénardier, Jenny Galloway as Madame Thénardier, Adam Searles as Gavroche. Among others. Les Miserables

Les Misérables (/leɪ ˌmɪzəˈrɑːb(lə)/; French pronunciation: ​[le mizeʁabl(ə)]), colloquially known in English-speaking countries as Les Mis (/leɪ ˈmɪz/), is a sung-through musical adapted from French poet and novelist Victor Hugo‘s 1862 novel of the same name byClaude-Michel Schönberg (music), Alain Boublil and Jean-Marc Natel (original French lyrics), and Herbert Kretzmer (English lyrics). The original French musical premiered in Paris in 1980 with direction by Robert Hossein. Its English-language adaptation by producer Cameron Mackintosh has been running in London since October 1985, making it the longest-running musical in theWest End and the second longest-running musical in the world after the original Off-Broadway run of The Fantasticks.

Set in early 19th-century France, Les Misérables is the story of Jean Valjean, a French peasant, and his desire for redemption after serving nineteen years in jail for having stolen a loaf of bread for his sister’s starving child. Valjean decides to break his parole and start his life anew after a bishop inspires him by a tremendous act of mercy, but he is relentlessly tracked down by a police inspector named Javert. Along the way, Valjean and a slew of characters are swept into a revolutionary period in France, where a group of young idealists attempt to overthrow the government at a street barricade.

Free Stream Les Miserables – 10th Anniversary Dream Cast in Concert at London’s Royal Albert Hall Les Miserables

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FREE Stream Les Misérables the Musical

FREE Stream: World premiere Ritratto Dutch National Opera. Premiered Mar 21, 2020. Due to the measures against the spread of the Coronavirus Ritratto never got its world premiere. Until now. You can enjoy this extravagant and beautiful opera from the comfort of your home. WATCH HERE:

Due to the measures against the spread of the Coronavirus Ritratto never got its world premiere. Until now. You can enjoy this extravagant and beautiful opera from the comfort of your home. We hope you enjoy it. In case you want to support our house and the artists through these uncertain times you can make a donation via this ‘Tikkie’-link

 https://tikkie.me/pay/OperaBallet/LBb…

If you have bought a ticket for one of the cancelled performances, we will contact you with more information on this as soon as possible.

The libretto has been published and is availably by mailing info@franksiera.nl

Can’t get enough of this production? Journalist Stef Visjager followed the creation proces of this opera and the singers for a year and a half and made a podcast-series about it. You can find the series and more information about this production on this page: https://bit.ly/dio-ritratto

TEAM
Musical Director: Geoffrey Paterson
Stage Director: Marcel Sijm
Libretto: Frank Siera
Set Designer: Marc Warning
Costume Designer: Jan Taminiau
Lighting Designer: Alex Brok
Dramaturgy: Klaus Bertisch
Choreography: Zino Ainsly Schat

CAST
Luisa C.S. di Soncino: Verity Wingate – De Nationale Opera Studio
Romaine Brooks: Polly Leech – De Nationale Opera Studio
Gabriele D’Annunzio: Paride Cataldo – De Nationale Opera Studio
Garbi: Martin Mkhize – De Nationale Opera Studio
Sergei Diaghilev: Cameron Shahbazi – De Nationale Opera Studio
Man Ray: Lucas van Lierop – De Nationale Opera Studio
Jacob Epstein: Frederik Bergman – De Nationale Opera Studio
Kees van Dongen: Dominic Kraemer
Filippo Marinetti: Sam Carl – De Nationale Opera Studio

choir
Sopraan: Silvia Brizuela Meza, Stephanie Desjardins, Irene Hoogveld
Alt: Cameron Shahbazi, Joël Vuik, Maria Warenberg
Tenor: Lucas van Lierop, Zachery Vandermeulen, Milan de Korte
Bas: Frederik Bergman, Dominic Kraemer, Sam Carl

Orchestra
Amsterdam Sinfonietta

RITRATTO
Ritratto – the Italian word for ‘portrait’ is the title of a new opera by Willem Jeths, first Nederlandse Componist des Vaderlands (2014-2016), who was fascinated by a painting depicting Luisa Casati.

LUISA CASATI
The young orphaned and married, excessively wealthy Italian Marquesa Casati strove to be seen throughout her life. She was famous for the exuberant parties she organized. She allowed herself to be portrayed or photographed by numerous artists. With her black-rimmed eyes, her flaming red hair and eccentric behaviour she tried to gain a place in the art world.

Against the background of the war, librettist Frank Siera questions the importance of art. At a feast of Casati, Siera brings together all sorts of artists from the time of Casati. At the time, it was the Futurists who paved the way for fascism with their art. Casati does not engage with secular problems and focuses on her passion. In opera she goes even further than in real life; by not seeing, she tries to be seen herself.

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Premiered Mar 21, 2020

Published by Nadia Kovarskaya

Nadia Kovarskaya,Founder www.MeetMeAtTheOpera.com

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The Magic Flute Paris Opera 2001 Die Zauberfloete

Die Zauberflote (The Magic Flute) Composer: Wolfgang Amadeus MozartDate:  Opèra National de Paris 2001. France Language: German Subtitles:

• Tamino – Piotr Beczala
• Pamina -Dorothea Röschmann
• Papageno – Detlef Roth
• Sarastro – Matti Salminen
• Queen of the Night – Dèsirèe Rancatore
• Speaker – Wolfgang Schöne
• First Lady – Cècile Perrin
• Second Lady – Helene Schneiderman
• Third Lady – Hèlène Perraguin
• Papagena – Gaële le Roi
• Monostatos – Uwe Peper
• First Piest/Second Armoured Man – Bjarni Thor Kristiansson
• Second Priest – Wilfried Gamlich
• First Armoured Man – Robert Künzli
• First Slave – Vadim Artamonov
• Second Slave – Olivier Berg
• Third Slave – Paolo Bondi
• Three Boys – Soloists of the Tölzer Knabenchor
• Chorus and Orchestra of the Opèra National de Paris
• Iván Fisher, conductor

FREE Stream The Magic Flute. Paris Opera.

Synopsis

The opera begins with the overture, which Mozart composed last.

Act 1

Scene 1: A rough, rocky landscape

Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him (aria: “Zu Hilfe! Zu Hilfe!” segued into trio: “Stirb, Ungeheuer, durch uns’re Macht!”). He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to convince the other two to leave. After arguing, they reluctantly decide to leave together.

Baritone Markus Werba appearing as Papageno. He wears his pipes and carries his magic bells; both instruments are essential to the plot.

Tamino wakes up, and is surprised to find himself still alive. Papageno enters dressed as a bird. He describes his life as a bird-catcher, complaining he has no wife or girlfriend (aria: “Der Vogelfänger bin ich ja”). Tamino introduces himself to Papageno, thinking Papageno killed the serpent. Papageno happily takes the credit – claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water, a stone and place a padlock over his mouth as a warning not to lie. They give Tamino a portrait of the Queen of the Night’s daughter Pamina, with whom Tamino falls instantly in love (aria: “Dies Bildnis ist bezaubernd schön” / This image is enchantingly beautiful).

The ladies return and tell Tamino that Pamina has been captured by Sarastro, whom they describe as a powerful, evil demon. Tamino vows to rescue Pamina. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative and aria: “O zittre nicht, mein lieber Sohn” / Oh, tremble not, my dear son!). The Queen leaves and the ladies remove the padlock from Papageno’s mouth with a warning not to lie any more.

They give Tamino a magic flute which has the power to change sorrow into joy. They tell Papageno to go with Tamino, and give him (Papageno) magic bells for protection. The ladies introduce three child-spirits, who will guide Tamino and Papageno to Sarastro’s temple. Together Tamino and Papageno set forth (Quintet: “Hm! Hm! Hm! Hm!”).

Scene 2: A room in Sarastro’s palace

Pamina is dragged in by Sarastro’s slaves, apparently having tried to escape. Monostatos, a blackamoor and chief of the slaves, orders the slaves to chain her and leave him alone with her. Papageno, sent ahead by Tamino to help find Pamina, enters (Trio: “Du feines Täubchen, nur herein!”). Monostatos and Papageno are each terrified by the other’s strange appearance and both flee. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred duties of marital love (duet: “Bei Männern welche Liebe fühlen”).

Finale. Scene 3: A grove in front of a temple

Arrival of Sarastro on a chariot pulled by lions, from a 1793 production in Brno. Pamina appears at left, Papageno at right. In the background are the temples of Wisdom, Reason, and Nature.

The three child-spirits lead Tamino to Sarastro’s temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina (Quartet: “Zum Ziele führt dich diese Bahn”). Tamino approaches the left-hand entrance and is denied access by voices from within. The same happens when he goes to the entrance on the right. But from the entrance in the middle, an old priest appears and lets Tamino in. (The old priest is referred to as “The Speaker” in the libretto, but his role is a singing role.) He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. He promises that Tamino’s confusion will be lifted when Tamino approaches the temple in a spirit of friendship. Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno’s pipes sounding offstage, and hurries off to find him (aria: “Wie stark ist nicht dein Zauberton”).

Papageno and Pamina enter, searching for Tamino (trio: “Schnelle Füße, rascher Mut”). They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, and Monostatos and his slaves begin to dance, and exit the stage, still dancing, mesmerised by the beauty of the music (chorus: “Das klinget so herrlich”). Papageno and Pamina hear the sound of Sarastro’s retinue approaching. Papageno is frightened and asks Pamina what they should say. She answers that they must tell the truth. Sarastro enters, with a crowd of followers. (chorus: “Es lebe Sarastro!”)

Pamina falls at Sarastro’s feet and confesses that she tried to escape because Monostatos had forced his attentions on her. Sarastro receives her kindly and assures her that he wishes only for her happiness. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. Pamina, he says, must be guided by a man.

Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among Sarastro’s followers. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro, however, punishes Monostatos for his lustful behaviour toward Pamina, and sends him away. He announces that Tamino must undergo trials of wisdom in order to become worthy as Pamina’s husband. The priests declare that virtue and righteousness will sanctify life and make mortals like gods (“Wenn Tugend und Gerechtigkeit”).

Act 2

Scene 1: A grove of palms

The council of priests of Isis and Osiris, headed by Sarastro, enters to the sound of a solemn march. Sarastro tells the priests that Tamino is ready to undergo the ordeals that will lead to enlightenment. He invokes the gods Isis and Osiris, asking them to protect Tamino and Pamina (Aria and chorus: “O Isis und Osiris”).

Scene 2: The courtyard of the Temple of Ordeal

Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women’s wiles and swear them to silence (Duet: “Bewahret euch von Weibertücken”). The three ladies appear and try to frighten Tamino and Papageno into speaking. (Quintet: “Wie, wie, wie”) Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies’ threats and to keep quiet. Seeing that Tamino will not speak to them, the ladies withdraw in confusion.

Scene 3: A garden

Pamina is asleep. Monostatos approaches and gazes upon her with rapture. (Aria: “Alles fühlt der Liebe Freuden”) He is about to kiss the sleeping Pamina, when the Queen of the Night appears. Monostatos hides. In response to the Queen’s questioning, Pamina explains that Tamino is joining Sarastro’s brotherhood and she is thinking of accompanying him too. The Queen is not pleased. She explains that her husband was the previous owner of the temple and on his deathbed, gave the ownership to Sarastro instead of her, rendering the Queen powerless (this is in the original libretto, but is usually omitted from modern productions, to shorten the scene with Pamina and her mother). She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. (Aria: “Der Hölle Rache kocht in meinem Herzen“). She leaves. Monostatos returns and tries to force Pamina’s love by threatening to reveal the Queen’s plot, but Sarastro enters and drives him off. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain (Aria: “In diesen heil’gen Hallen”).

Scene 4: A hall in the Temple of Ordeal

Tamino and Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is Papageno. She disappears as Papageno asks for her name, and the three child-spirits bring in food, the magic flute, and the bells, sent from Sarastro (Trio: “Seid uns zum zweiten Mal willkommen”). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: “Ach, ich fühl’s, es ist verschwunden”) She leaves in despair.

Scene 5: The pyramids

The priests celebrate Tamino’s successes so far, and pray that he will succeed and become worthy of their order (Chorus: “O Isis und Osiris”). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their “final farewell”. (Trio: Sarastro, Pamina, Tamino – “Soll ich dich, Teurer, nicht mehr sehn?” Note: In order to preserve the continuity of Pamina’s suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following Sarastro’s aria “O Isis und Osiris”.^[f][30]) They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. (Aria: “Ein Mädchen oder Weibchen”). The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her.

Finale. Scene 6: A garden

Tamino and Pamina undergo their final trial; watercolor by Max Slevogt(1868–1932)

The three child-spirits hail the dawn. They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. The child-spirits restrain her and reassure her of Tamino’s love. (Quartet: “Bald prangt, den Morgen zu verkünden”).

Scene change without interrupting the music, to Scene 7: Outside the Temple of Ordeal

Two men in armor lead in Tamino. They recite one of the formal creeds of Isis and Osiris, promising enlightenment to those who successfully overcome the fear of death (“Der, welcher wandert diese Strasse voll Beschwerden”). This recitation takes the musical form of a Baroque chorale prelude, to a tune inspired by Martin Luther‘s hymn “Ach Gott, vom Himmel sieh darein” (Oh God, look down from heaven).^[g][32] Tamino declares that he is ready to be tested. Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her. Pamina enters and declares her intention to undergo the remaining trials with him. She hands him the magic flute to help them through the trials (“Tamino mein, o welch ein Glück!”). Protected by the music of the magic flute, they pass unscathed through chambers of fire and water. Offstage, the priests hail their triumph and invite the couple to enter the temple.

Scene change without interrupting the music, to Scene 8: A garden with a tree

Papageno and Papagena; from a production at Texas A&M University–Commerce

Papageno despairs at having lost Papagena and decides to hang himself (Aria/Quartet: “Papagena! Papagena! Papagena! Weibchen, Täubchen, meine Schöne”) The three child-spirits appear and stop him. They advise him to play his magic bells to summon Papagena. She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. They plan their future and dream of the many children they will have together (Duet: “Pa… pa… pa…”).^[h]

Scene change without interrupting the music, to Scene 9: A rocky landscape outside the temple; night

The traitorous Monostatos appears with the Queen of the Night and her three ladies. They plot to destroy the temple (“Nur stille, stille”) and the Queen confirms that she has promised her daughter Pamina to Monostatos. But before the conspirators can enter the temple, they are magically cast out into eternal night.

The Magic Flute (German: Die Zauberflöte pronounced [ˈdiː ˈt͡saʊ̯bɐˌfløːtə] (listen)), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue.^[a] The work was premiered on 30 September 1791 at Schikaneder’s theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer’s premature death.

In this opera, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro; instead, he learns the high ideals of Sarastro’s community and seeks to join it. Separately, then together, Tamino and Pamina undergo severe trials of initiation, which end in triumph, with the Queen and her cohorts vanquished. The earthy Papageno, who accompanies Tamino on his quest, fails the trials completely but is rewarded anyway with the hand of his ideal female companion, Papagena.

The Magic Flute Paris Opera

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FREE Stream Rossini: Le Comte Ory – Glyndebourne Festival Opera

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Rossini’s opera is set in a medieval French court at a time when all the menfolk have gone off to join the crusades, leaving the women longing for them. In their absence, the licentious Comte Ory, his page and their followers dress up as nuns to get into the castle and raid both the women and the wine cellars. Rossini’s witty comedy of lust and sexual disguise is also a hugely-crafted work, containing several masterly set pieces.

This colourful production for Glyndebourne is directed by Jérôme Savary, the actor and comedian, and artistic director of Le Théâtre Nationale de Chaillot in Paris. Andrew Davis conducts his second Rossini opera at Glyndebourne, following the success of Ermione in 1995.

0:37 Overture

Act I
4:04 “Jouvencelles, venez vite”
10:42 “Que les destins prospères”
20:53 “Je ne puis plus longtemps”
27:49 “Vous, notre appui”
34:54 “Je vais revoir la beauté qui m’est chère
45:10 “Isolier dans ces lieux”
51:32 “Vous avez entendu sa touchante prière”
58:19 “Nous saurons bien le reconnaître”
1:01:52 “Cet ècrit, noble châtelaine”

Act II
1:10:43 “Dans ce séjour calme et tranquille”
1:17:42 “Noble châtelaine”
1:22:05 “Quand tomberont sur lui les vengeances divines?”
1:36:01 “Ah! la bonne folie”
1:40:19 “Eh! mais, quelle triste observance!”
1:46:25 “Du fruit de sa victoire”
1:51:35 “Elle revient…silence!
1:59:02 “A la faveur de cette nuit obscure”
2:09:49 “J’entends d’ici le bruit des armes”

Cast: Le Comte Ory – Marc Laho, Raimbaud – Ludivoc Tézier, Adèle – Annick Massis, Ragonde – Jane Shaulis, Tutor – Julien Robbins, Isolier – Diana Montague.

Rossini: Le Comte Ory – Glyndebourne

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Rossini: Le Comte Ory – Glyndebourne

Society Club www.MeetMeAtTheOpera.com Invites You to FREE Stream Il Trovatore Giuseppe Verdi Robert Wilson Production.

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FREE Stream Il Trovatore Giuseppe Verdi Robert Wilson

REGIA, SCENE, LUCI     Robert Wilson

CAST

CONTE DI LUNA
Vasily Ladyuk

LEONORA
Marta Torbidoni

AZUCENA
Cristina Melis

MANRICO
Diego Cavazzin

FERRANDO
Marco Spotti

INES
Tonia Langella

UN VECCHIO ZINGARO
Nicolò Donini

RUIZ | UN MESSO
Cristiano Olivieri

ROBERT WILSON

Il Trovatore Giuseppe Verdi Robert Wilson

Since the late 1960s, Robert Wilson’s productions have decisively shaped the look of theater and opera. Through his signature use of light, his investigations into the structure of a simple movement, and the classical rigor of his scenic and furniture design, Wilson has continuously articulated the force and originality of his vision. Wilson’s close ties and collaborations with leading artists, writers, and musicians continue to fascinate audiences worldwide.

Opera by Giacomo Puccini, with a libretto by Giuseppe Adami and Renato Simoni, based on the eponymous play by Carlo Gozzi
Costumes by Jacques Reynaud
Opening on November 30, 2018 at the Teatro Real, Madrid, Spain

After Madama Butterfly (Paris, 1993), Turandot was Robert Wilson’s second production of an opera by Giacomo Puccini. For the performances in Madrid and Vilnius, the finale by Franco Alfano (with Toscanini’s cuts) was used.

Il Trovatore Giuseppe Verdi Robert Wilson

“Robert Wilson is not a person to adapt his work to someone’s expectations and has a proper understanding of what theatre performance is. The most important thing for him is a single line, from the first moment to the brilliant last second. And this is what Turandot is.”

Published by Nadia Kovarskaya

Nadia Kovarskaya,Founder www.MeetMeAtTheOpera.com

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FREE Stream Il Trovatore Giuseppe Verdi Robert Wilson

FREE Stream PETER GREENAWAY Movie The Tulse Luper Suitcases

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Two books and three feature films were released to supply material to the Flash/Web designers who competed in a contest to make one of the 92 Flash-based “suitcase” games featured on the interactive, online site The Tulse Luper Journey.

PETER GREENAWAY

Peter Greenaway is not an easy filmmaker to get into and, one suspects, that’s just the way he likes it. Given that his films are filled to the corners of every frame with detailed references to paintings, literature, theatre, natural history, and a plethora of inside jokes, his work has often attracted the charge of elitism. And that’s all before you get to his disapproval, sometimes even outright contempt, for cinema focused around narrative, text, and script. “All screenwriters should be shot,” he proclaimed his 2016 BAFTA interview ‘Peter Greenaway: A Life in Pictures’. He smiled as he said it, but he would clearly rather to shoot a phone book than someone else’s screenplay. His 1989 film The Cook, the Thief, His Wife & Her Lover is savage and sadistic, beautiful and brilliant. Whether or not it functions as a metaphor for Thatcher’s Britain, as some claim, it certainly works as an expression of Greenaway’s style, and love, of art — fine art, to be precise. The framing tableaux, shifting swathes of colour, exhibition-style set decoration, and the wall-sized Frans Hals portrait looming over all proceedings all harks back to his lifelong desire to see “paintings with soundtracks”. And while Michael Nyman’s relentless score accompanies vast sections of the film, so too do the fearless performances of actors like Helen Mirren and Michael Gambon (anyone who knows him as gentle Albus Dumbledore from Harry Potter is in for a severe shock at a villain to rival Voldemort himself), and the gruesome, Jacobean-like revenge drama they enact… all while outfitted in costumes by Jean Paul Gaultier. It’s arguably this fusion of narrative alongside Greenaway’s image-based cinema that has made it – perhaps alongside The Draughtsman’s Contract – his most accessible and acclaimed feature. A filmmaker as uncompromising as Greenaway would doubtless claim that this proves his point, that audiences flounder without the safety net of story, and that’s why this film (and not, say, his multi-part, multimedia experience The Tulse Luper Suitcases) is his most popular work. But there’s an opposing argument: that image-based cinema needn’t dismiss narrative entirely. And surely a lover of symmetry like Greenaway might find something valid in such a counterbalancing claim.

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Free Stream Richard Tucker Music Foundation Gala 2015, winner Jamie Barton

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FREE Steam Richard Tucker Gala

Richard Tucker Gala 2018 • Anna Netrebko & Yusif Eyvazov “Vicino a te” Andrea Chenier (Giordano)

The Richard Tucker Music Foundation

Non-profit cultural organization founded in 1975,honoring the artistic legacy of the great American tenor through support of young talented American opera singers and by bringing opera into the community.

Richard Tucker Gala Pretty Yende, Ildar Abdrazakov, Joseph Calleja, Željko Lučić; 2014

The Foundation  offers free performances in New York Metropolitan area and by supporting music education enrichment programs to heighten appreciation for opera.

Richard Tucker Gala 1999 – Leech, Villaroel, Hvorostovsky, Ramey, Gheorghiu & Alagna

Richard Tucker Foundation Awards Program offers grants for study, provides performance opportunities and professional development for singers.

SUPPORT THE RICHARD TUCKER FOUNDATION:  www.richardtucker.org/support/

Since 1975, The Foundation has given critical financial assistance to more than a thousand young American singers throughout the United States. This is the proud legacy of Richard Tucker, America’s greatest tenor, and we hope you will help to continue this legacy by becoming a supporter of the Foundation.

Richard Tucker Gala 1998 – Bartoli, Bryn Terfel, O’Flynn, Armiliato, Guleghina, Pons & Uria-Monzon

The Sara Tucker Study Grant provides grants to singers, selected through a vocal competition, who are recently out of the university or conservatory and considered to be at the beginning of promising careers.

2016 Sara Tucker Study Grants: Michael Brandenburg, tenor, 29; Nicholas Brownlee, bass-baritone, 26; Samantha Hankey, mezzo-soprano, 24; Megan Mikailovna Samarin, mezzo-soprano, 23; Laura Wilde, soprano, 29.

Richard Tucker Gala 1993 – Morris, Swenson, Hadley, Ramey, Fleming, Groves & Hampson

The Richard Tucker Award is conferred annually upon a single artist who has reached a high level of artistic accomplishment and who, in the opinion of a conferral panel, is on the threshold of a major international career.            2016 Award Winner is Tamara Wilson.

Richard Tucker Gala 2001 – Voigt, Giordani, Hong, Pape, Graves, Putilin, Esperian, Licitra & Price

Programs of The Foundation, include concerts in a different community settings,radio broadcast,master classes. In the past three decades, the winners and grantees of The Foundation sing all over the world, programs finance the growth of young artists and the creation of new music, and expanding educational programs bring help and hope to another generation through the gift of the highest form of art – Opera.

CONTACT THE RICHARD TUCKER MUSIC FOUNDATION:
1790 Broadway, Suite 715
New York, NY 10019
Phone: 212-757-2218
Fax: 212-757-2347

Richard Tucker Gala 1992 – Swenson, Dimitrova, Bartolini, Pons, Blake, Bumbry & Dunn

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FREE Stream Sherlock Holmes & The Curse Of Moriarty Filmed 2018 Stage Production – By David Elendune.

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Sherlock Holmes & The Curse Of Moriarty Filmed 2018 Stage Production – By David Elendune.

A dark comedy in two acts … Thirty years after the conclusion of The Adventure of Transylvania Nobleman an elderly Sir John Watson is blackmailed by the new female head of MI6 Via flashbacks, we learn the shocking truth behind what caused the disappearance of the world’s greatest detective

Filmed 2018 Stage Production – By David Elendune.

“5 STARS” – OTAKUNOCULTURE.COM … DAVID ELENDUNE IS A LITERARY MAGICIAN” – JANIS LA COUVEE … “A GALLERY OF REMARKABLE PERFORMANCES” – SHOWBILL CANADA.CA

David Elendune’s (Leer, Winnie The Pooh, Casino Royale) brand-new reimagining of Sir Arthur Conan Doyle’s classic tale of loyalty & loss. Starring Trevor Hinton as the world’s greatest detective.

EXPECT TWISTS – EXPECT TURNS – EXPECT THE UNEXPECTED.

THE GAME’S AFOOT when Mi5 hatches a Secret Plot to blackmail SIR JOHN WATSON into revealing the Shocking Truth behind the Mysterious Disappearances of the World’s Greatest Detective: SHERLOCK HOLMES; & that nefarious Napoleon Of Crime: PROFESSOR MORIARTY.

SHERLOCK HOLMES IS BACK IN HIS DEADLIEST ADVENTURE YET… Victoria Fringe’s Triple Award Winners, Outpost 31, present David Elendune’s (Leer, Winnie The Pooh, Casino Royale) brand-new reimagining of Sir Arthur Conan Doyle’s classic tale of loyalty & loss. Starring Trevor Hinton as the world’s greatest detective… EXPECT TWISTS – EXPECT TURNS – EXPECT THE UNEXPECTED.

Switzerland 1889 – Sherlock Holmes, whilst locked in heroic combat with his nemesis, Professor Moriarty, plummets tragically to his death over the edge of the Reichenbach Falls – Or so the official story goes…

London 1919 – A great war has been won – But the battle rages on – For the game’s afoot when, deep within a secure location far below King’s Cross Station, the dangerous female head of MI5 secretly plots to blackmail retired gentleman assassin, Sir John Watson, into revealing the final shocking truth behind the mysterious disappearances of Sherlock Holmes, & that nefarious Napoleon of Crime: Professor Moriarty.

Yes, yes that’s all very good Holmes, but why in David Lloyd George’s name do these ladies & gentlemen of Outpost 31 insist on returning with their intelligent entertainments to the Victoria Fringe every year?

Well my dear Watson, I can clearly deduce that firstly: they must be somewhat gluttons for punishment.

Undoubtedly – And secondly?

That the Victoria Fringe festival is realistically the only place where their kind of small independent enterprise can reach such a potentially large local audience for such a relatively small fiscal outlay.

Unless an established theatre takes a shine to their work and resolves to take a chance on them.

Which as luck would have it Watson – Has just this very moment occurred.

By Jove Holmes, you’re right – For I see there is right before me an article in today’s Times describing how Theatre Inconnu is to present Outpost 31’s playwright Mr. David Elendune’s national award-winning script of FRANKENSTEIN this coming September.

Best we had book early for that one!

Indeed: I will leave Mrs. Hudson a note.

Oh, and speaking of luck Watson – (Because I understand you are a man who enjoys a wager or five) – The odds of winning the fringe entry lottery are reported here as being rather less than one in four.

What of it?

Well, it is my understanding that Outpost 31 have now won the confounded raffle five times in a row.

You suspect that they may have had help in this matter?

Come now Watson, that imagination of yours will be death of us both – I mean, Good Lord, you will have us all believing in giant spectral hounds next!

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[HD] FREE Live Stream Broadway Musical Frozen at the Hyperion! FIRST SHOWING EVER: California Adventure

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Disney’s Frozen – Live Musical at the Hyperion: California Adventure park full show 1080p60fps! Journey on a amazing adventure through Arendelle with Anna, Elsa and Olaf with music, lights and magic!

Frozen is a musical with music and lyrics byKristen Anderson-Lopez and Robert Lopez, and book by Jennifer Lee, based on the 2013 film of the same name. The story centers on the relationship between two sisters who are princesses, Elsa and Anna. Elsa has magical powers to freeze objects and people, which she does not know how to control. After inheriting the throne, Elsa flees, inadvertently causes the kingdom to become frozen in an eternal winter, and nearly kills her sister. She must sacrifice and show true love to save the day.

Produced by Disney Theatrical Productions, the musical had a tryout at the Buell Theatrein Denver, Colorado in August 2017 and premiered on Broadway in March 2018 at theSt. James Theatre to mixed reviews. A national tour began in November 2019

Disney Orchestra Collection Volume 1 – Disney Orchestra and Piano Music

The Disney Orchestra Collections Disks were released in Japan in September of 2000. The disks feature orchestra & piano covers of many of Disney’s classic songs and soundtracks from films such as Aladdin, Beauty and the Beast, Mary Poppins and many more. This relaxing medley of Disney instrumental soundtracks is the perfect Disney playlist for study or background music.

The Disney Orchestra Collection was recorded by the Neverland Orchestra.

Disney Orchestra Collection Volume 2 and 3 Coming Soon.

Full Disney Orchestra Collection Volume 1 Track List

1. 0:00 A Whole New World from Aladdin
2. 2:44 It’s Not Easy from Petes Dragon
3. 5:55 Once Upon A Dream from Sleeping Beauty
4. 8:19 Love Is A Song from Bambi
5. 11:09 Zip-A-Dee-Doo-Dah from Song of the South
6. 13:32 Alice In Wonderland from Alice in Wonderland
7. 16:41 It’s A Small World the Disney Parks Attraction theme
8. 18:56 Heigh-Ho from Snow White and the Seven Dwarfs
9. 22:48 Give A Little Whistle from Pinocchio
10. 25:15 Who’s Afraid Of The Big Bad Wolf? from the Three Little Pigs
11. 27:31 So This Is Love from Cinderella
12. 31:18 Just Around The Riverbend from Pocahontas
13. 34:18 Bella Notte from Lady And The Tramp
14. 37:12 Be Our Guest from Beauty And The Beast
15. 41:06 A Spoonful Of Sugar from Mary Poppins
16. 44:39 With A Smile And A Song from Snow White And The Seven Dwarfs
17. 47:43 Someday from The Hunchback Of Notre Dame
18. 51:56 The Second Star To The Right from Peter Pan

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Giuseppe Verdi – AIDA. Opera (Pavarotti, Chiara, Dimitrova) | Teatro alla Scala, 1986

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Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo’s Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini.

Orchestra and chorus of La Scala, Milan
Chorus Master – Giulio Bertola
Conducted by Lorin Maazel
Teatro alla Scala, Milan, 1986.

Music by Giuseppe Verdi
Libretto by Antonio Ghislanzoni
with Luciano Pavarotti as Radames
Maria Chiara as Aida
Ghena Dimitrova as Amneris
Nicolai Ghiaurov as Ramfis
Juan Pons as Amonasro
Paata Burchuladze – The King
Ernesto Gavazzi – A Messenger
Francesca Garbi – Priestess
Orchestra and chorus of La Scala, Milan
Chorus Master – Giulio Bertola
Conducted by Lorin Maazel
___

Джузеппе Верди – АИДА
Опера в четырёх действиях; либретто Antonio Ghislanzoni.
Жанр: Опера
Дата записи: 1986
Язык: итальянский

Действующие лица и Исполнители:
Царь (бас) – Paata Burchuladze
Амнерис (меццо-сопрано) – Ghena Dimitrova
Аида (сопрано) – Maria Chiara
Радамес (тенор) – Luciano Pavarotti
Рамфис (бас) – Nicolai Ghiaurov
Амонасро (баритон) – Juan Pons
гонец (тенор) – Ernesto Gavazzi
Жрецы, жрицы, придворные, солдаты, слуги, рабы и пленные эфиопы, египетский народ.
Действие происходит в Мемфисе и Фивах во времена владычества фараонов.
Оркестр и хор – Ла Скала, Милан.
Хормейстер – Giulio Bertola
Дирижер – Lorin Maazel

FREE Stream Mozart Così fan tutte in full from The Royal Opera House

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FREE Stream Mozart Così fan tutte The Royal Opera

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FREE Stream: Tosca Placido Domingo & Raina Kabaivanska Full Movie

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FREE Stream Wagner – Der Ring Des Nibelungen: Das Rheingold – English Subs

Festspielhaus Bayreuth Filmed in 1980
Chor und Orchester der Bayreuther Festspiele

Stage director: Patrice Chéreau

Conductor: Pierre Boulez

Wotan: Donald McIntyre
Donner: Martin Egel
Froh: Siegfried Jerusalem
Loge: Heinz Zednik
Alberich: Hermann Becht
Mime: Helmut Pampuch
Fasolt: Matti Salminen
Fafner: Fritz Hübner
Fricka: Hanna Schwarz
Freia: Carmen Reppel
Erda: Ortrun Wenkel
Woglinde: Norma Sharp
Wellgunde: Ilse Gramatzki
Flosshilde: Marga Schiml

Der Ring des Nibelungen: Vorabend
Festspielhaus Bayreuth
Filmed in 1980
Chor und Orchester der Bayreuther Festspiele

Richard Wagner’s RING “The Ring of the Nibelung” in 50 minutes. Bruno Lussato’s Wagner Documentary : In the Eye of the Ring

Wagner Documentary : In the Eye of the Ring

Author: Dedicated Wagnerian – Bruno Lussato (1932-2009)

The documentary breaks down and reveals all the Leitmotiv’s: examples of the more than 50 leitmotivs that are part of the story; metaphors, mythology,scenes, plots, characters, and names in Richard Wagner’s “Der Ring des Nibelungen”.All 18 chapters in a chronological and logical order of events.

The Monumental Ring Cycle’s four parts :

Das Rheingold (The Rhinegold)
Die Walküre (The Valkyrie)
Siegfried
Götterdämmerung (Twilight of the Gods)

The illustrations come from two famous artists, the English book illustrator the German painter Franz Stassen and Arthur Rackham; additional drawings by Polina Zinoviev. The music performed by  “Orchestre Nationale de France,” conductor Jeffrey Tate.

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Wagner Der Ring Des Nibelungen Das Rheingold

FREE Stream RENT Broadway Musical

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Rent (stylized as RENT) is a rock musical with music, lyrics, and book by Jonathan Larson,^[1] loosely based on Giacomo Puccini‘sopera La Bohème. It tells the story of a group of impoverished young artists struggling to survive and create a life in Lower Manhattan‘s East Village in the thriving days of bohemian Alphabet City, under the shadow of HIV/AIDS.

The musical was first seen in a workshop production at New York Theatre Workshop in 1993. This same Off-Broadway theatre was also the musical’s initial home following its official 1996 opening. The show’s creator, Jonathan Larson, died suddenly of an aortic dissection, believed to have been caused by undiagnosed Marfan syndrome, the night before the Off-Broadway premiere. The musical moved to Broadway‘s larger Nederlander Theatre on April 29, 1996.^[2]

On Broadway, Rent gained critical acclaim and won several awards, including the Pulitzer Prize for Drama and the Tony Award for Best Musical. The Broadway production closed on September 7, 2008, after 12 years, making it one of the longest-running shows on Broadway.^[3] The production grossed over $280 million.^[4]

The success of the show led to several national tours and numerous foreign productions. In 2005, it was adapted into a motion picture featuring most of the original cast members.

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